Ugandan artist Apass has ignited a fresh debate within East Africa's music industry after publicly accusing Tanzanian superstar Diamond Platnumz of lip-syncing during his recent performance in Kampala.
Speaking to journalists, the singer, whose real name is Alex Bagonza, was asked to share his thoughts on Diamond's set at Cricket Oval in Lugogo. His assessment was blunt and unsparing.
A Direct Critique
Apass claimed the Tanzanian star relied on miming rather than delivering a genuine live vocal performance, suggesting that fans in attendance were treated to something short of what they paid for.
He pointed to footage circulating from the event as evidence, insisting that the videos tell their own story. According to him, the performance fell below the standard Ugandan audiences deserve from a regional headliner.
No Collaboration in Sight
The outspoken musician also appeared to close the door on any future musical partnership with Diamond, arguing that such a collaboration would serve the Tanzanian star's interests more than his own.
He made clear that his position was not rooted in personal animosity, but in a deliberate choice to prioritise local talent. Apass explained that because many people tend to diminish Ugandan artists in favour of foreign acts, he feels justified in returning the same energy.
A Wider Grievance
Beyond the critique of Diamond's performance, Apass used the moment to air long-standing frustrations about how Ugandan entertainment is structured.
- He expressed disappointment with Ugandan fans who, in his view, consistently favour foreign entertainers over homegrown talent.
- He took aim at event promoters who allegedly pay local musicians poorly while spending heavily to bring in international performers.
- He insisted he would rather stay home than accept what he described as pocket change for a show.
The singer stressed that he does not step on stage merely for the excitement of it, signalling a firm stance on fair compensation for local artists.
Renewed Industry Debate
Apass's comments have reignited a familiar conversation about equal treatment, fair pay and support for Ugandan musicians, particularly when local and international artists share the same platform.
The debate touches on deeper questions about the value placed on domestic talent and whether the region's entertainment economy gives local stars a fair shot. For now, Apass has made his position clear, and his remarks are likely to keep the conversation alive across East Africa's music scene.
